Review by Lisa Spieker.
Brian Booker’s debut novel, Are You Here For What I’m Here For? (Bellevue Literary Press, 2016), leaves the reader with a feeling of vague unease. In seven stories, dislocated and troubled characters suffer from rare illnesses, illnesses that remain mostly unnamed and are quite possibly imagined. Even the most mundane of these afflictions are transformed in the characters’ minds until they take on the uncanny quality and significance that everyday objects acquire in fever dreams: Warts on the hands may evolve into rudimentary eyes. Sneezing will have you put into quarantine, possibly for several years. Unrelenting rain causes moods to fester and “a perilous loosening in the delicate structures of the mind” (190).
Booker’s stories are populated by characters and are set in places that at first seem realistic, but turn out to be just a little off; not much, just enough to set you on edge. There are tramps obsessed with the numerology of dreams, a resort guest with “the air of a ruined southern belle” (87), and an obnoxious harbinger of doom. Some stories are set in spaces of otherness, heterotopias that exist in parallel or on the fringes of society and reality. In “Love Trip,” a teenage boy is sent to a boarding school with all the trappings of a New Age cult inspired by the antipsychiatry movement. Pressured to reveal the secret motivations for mentally unbalanced acts he never quite committed, to give up “the lie behind the lie” (241), the boy elaborately describes an invented childhood trauma but becomes increasingly unsure whether he really made it all up. In the story, “A Drowning Accident,” a boy is send to recover from a mysterious sleeping sickness in an East Coast resort reminiscent of the run-down Coney Island freak show in Alice Hoffman’s The Museum of Extraordinary Things. There, “twice daily in the summer [a deep-sea] net was raised from “The Living Gulfs of Doom,” and whatever cold-blooded monstrosities chanced to have been trapped in that abysmal region were dumped on the planks[…], displayed for all to see” (58). Continue reading “Book Review: Are You Here For What I’m Here For?”
Review by Kasandra Lambert
In her debut novel, Found (SparkPress, 2016), certified nurse practitioner Emily Brett presents the story of Natalie, a young ICU nurse living in Denver, Colorado who is desperate for change. This novel follows Natalie as she leaves her stable job and becomes a travel nurse, placed in locations around the United States and abroad for a set amount of time.
Natalie’s somewhat impulsive decision to quit takes on new urgency after a strange encounter during the final days of her job in Denver. She fears a coworker, Beatty, has had a hand in killing her husband, who was a patient under Natalie’s care. She shares these concerns with her boss before leaving and thinks little of it until strange occurrences start to happen in all her travel assignments. Continue reading “Book Review: Found”
Review by Anna Kirsch
The Port-Wine Stain (Bellevue Literary Press, 2016) is the third installment of Norman Lock’s American Series, a series where each novel is a stand-alone narrative dedicated to memorializing great American writers by writing in a style that is part pastiche and part homage. The Port- Wine Stain is devoted to celebrating Edgar Allan Poe.
The Port -Wine Stain is narrated by Edward Fenzil to an undescribed listener he calls Moran. Fenzil is a young surgical assistant to Dr.Thomas Dent Mütter, who in the winter of 1844, meets Edgar Allan Poe. While to the literary reader Poe is the most recognizable figure, Mütter is just as important to Fenzil. It is Mütter who sets up the meeting between Poe and Fenzil and it is Mütter’s early form of cosmetic surgery that introduces into Fenzil’s imagination the concept of physiognomy. Physiognomy maintaines that a person’s character is determined by their physical body, or to be exact, the shape of the body. The idea that a twisted body could be the sign of a twisted soul is the ideological cornerstone of the novel. Continue reading “Book Review: The Port-Wine Stain”
Review by Burcu Alkan
Richard Wiley, 1987 winner of the PEN/Faulkner Award for Best American Fiction, takes a new path in his latest novel, Bob Stevenson (Bellevue Literary Press, 2016). Having lived in Korea, Japan, Nigeria, and Kenya, his previous novels mainly deal with distant geographies and cross-cultural encounters. Yet, with his eighth book, he brings his storytelling closer to home. Set in New York City, Bob Stevenson tells the story of a psychiatrist who falls in love with a patient and the very-human difficulties of emotions that arise from such a knotty affair.
The novel opens with Dr. Ruby Okada rushing off to meet a fellow doctor and a friend, Bette, for dinner. In the elevator of the clinic, she meets an enigmatic man with unidentifiable charms that grip her attention. What happens next is unravelled in the rest of the novel, as Ruby tries to come to terms with the consequences of her impulsive decision. The mystery of the man in the elevator, and Ruby’s relation to him, is presented through a curious narrative that touches upon the emotions underlying and shaping one’s filial, social, and romantic relationships. Continue reading “Book Review: Bob Stevenson”