Review by Jamie McDaniel.
Editor’s Note: March 8, 2017 marks both the annual celebration of International Women’s Day and the #DayWithoutAWoman protest actions organized by the activists who brought us the Women’s March. In the spirit of these protests and celebrations, we have asked a guest reviewer to share his thoughts on the film Hidden Figures which recounts the experiences of female scientists of color at NASA during the mid-twentieth century.
At its heart, Theodore Melfi’s 2016 film Hidden Figures is a master study in good acting. Full of joy and grace under pressure, our three protagonists, played by Taraji P. Henson, Octavia Spencer, and Janelle Monáe, embody the physical and emotional acrobatics necessary to fight against and overcome the social and workplace obstacles encountered daily by women of color in the 1960s. At the same time, the actresses make the dreary whitewashed male-dominated mise-en-scène of NASA come alive with their physical humor and witty retorts. The film’s nominations and awards endorse the quality of the acting: nominations from the Academy Awards for Best Supporting Actress (Spencer) and Best Picture, the Golden Globe for Best Supporting Actress in a Motion Picture (Spencer), and the NAACP Image Award for Outstanding Actress in a Motion Picture (won by Henson). The film also won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. Continue reading “Film Review: Hidden Figures”
Review by Tom Bragg.
At its most interesting, the late Paul Kalanithi’s bestselling memoir When Breath Becomes Air (Random House, 2016) is a book about language. It is not, as many reviews would seem to indicate, an introduction to medical humanities, lacking both a primer’s organization of ideas and an author’s inclination to educate the reader. Rather, the book presents readers with the startling idea (to those uninitiated in the field) that science and humanities can be linked, can inform each other, can benefit both patient and practitioner in so applied and grimly pragmatic a field as neurosurgery. This it achieves through its harrowing narrative and by repeatedly contemplating the miraculous powers of language, “an almost supernatural force, existing between people, bringing our brains, shielded in centimeter-thick skulls, into communion” (39).
Always interesting, at times gut-wrenching, When Breath Becomes Air is an account of a surgeon’s life and training bracketed by a diagnosis of his cancer and death, and ending with an epilogue by his wife, Lucy. The proximity of the two ideas—the healer stricken, the health-giver succumbing to illness—sets up the parameters for our reading of the life; we are constantly aware that this is a narrative race against time and, as though we were hearing a deathbed confession, that knowledge prepares us to read with sympathy and extra awareness. Without such expectations, Kalanithi’s early memories and even his tone might convey only a dully impressive catalog of achievements. He seems alternately to overlook and foreground a voice of privilege in his recounting of juvenile literary interests (“Hamlet bore me a thousand times through the usual adolescent crises” ), college preparatory experiences, acceptance into Stanford. The young student, sipping whiskey and chatting with authors, roaming the English countryside while part of a History and Philosophy of Science program at Cambridge, finds himself “increasingly often arguing that direct experience of life-and-death questions was essential to generating substantial moral opinions about them”; eager for such direct experience, he says, he was heading back to the States and “going to Yale for medical school” (43). It’s hard not to be aware of the irony: the young acolyte hungering for life-and-death reality, ensconced in systems and experiences that seem to shield him from those realities. Continue reading “Book Review: When Breath Becomes Air”
Review by Stephanie Hudson.
In her new book, This Mortal Coil: The Human Body in History and Culture (Oxford University Press, 2016), Fay Bound Alberti writes that “our bodies are products of the stories we tell” (19). And this is the work Bound Alberti takes up, to explore stories of bodies and how these stories impact our embodied experience. She works to trace, and perhaps complicate, origins and potential futures of stories of bodies, with particular focus on women’s bodies.
Bound Alberti is a cultural historian whose work is situated within histories of medicine and the body. Her previous work includes Matters of the Heart: History, Medicine, and Emotions (Oxford University Press, 2010), which was shortlisted for the Longman History Today book of the year award. Bound Alberti co-founded the Centre for the History of Emotions at Queen Mary University of London, where she is an honorary senior research fellow. Through a Western lens, This Mortal Coil is located in Britain, and in part, North America.
Bound Alberti’s work in This Mortal Coil was motivated by an interest “in looking at the body as an assemblage of parts, and why it was that some parts take on particular significance and meanings at certain points in history” (206). Each chapter focuses on a different body part—spine, breast, genitalia, heart, brain, skin, tongue, and gut—taking the reader on a journey “from inside out, from our very core to the surface of our body and the boundaries between self and other” (16). Continue reading “Book Review: This Mortal Coil”
NEWS AND NOTES: Positions open for the Medical Humanities journal (BMJ). Medical Humanities launched in 2000 and has since become a leading international journal that reflects the whole field of medical humanities.
Publishing original research, case studies, review essays and more; the journal aspires to encourage a high academic standard for this evolving and developing subject. The journal has recently broadened its scope by publishing an additional two guest edited Themed Editions a year focusing on key conversations in the field. Recent issues have included ‘Critical Medical Humanities’ and ‘Science Fiction and Medical Humanities’. Medical Humanities also offers an interactive blog with film, poetry and book reviews and regular updates on @MedHums_BMJ further contributing to the latest debate and dialogue.
The journal is currently seeking to fill two positions:
1.Editor-in-Chief Medical Humanities
The Institute of Medical Ethics and BMJ are looking for the next Editor-in-Chief who can continue to shape Medical Humanities into a dynamic resource for a rapidly evolving field. Candidates should be active in the field, keen to facilitate international perspectives and maintain an awareness of trends and hot topics. The successful candidate will act as an ambassador for the journal supporting both pioneering authors and academics publishing their first papers. The candidate will also actively promote and strengthen the journal whilst upholding the highest ethical standards of professional practice. International and joint applications are welcomed. Interviews will be held on 24th March 2017. Term of office is 5 years; the role will take 12-15 hours a week. Contact Kelly Horwood (email@example.com) for more information and to apply with your CV and cover letter outlining your interest and your vision for future development of the journal. Application deadline: 24th February 2017. Start date: June 2017
2. Blog Curator and Books Editor at Medical Humanities.
Position: Blog Curator/Books Editor
It is a single, combined role as all book reviews are published on the Blog. The role involves: Commissioning and editing content, including reviews, for the Medical Humanities Blog; maintaining the Medical Humanities Blog and updating it regularly (currently on a weekly schedule, but this could be flexible within reason); liaising with publishers to receive new titles and organise reviews of relevant books for the Blog; contributing to the editorial team (comprising the editor-in-chief, associate editors and BMJ Publishing staff) that leads and manages both the journal and Blog, including attending the annual editorial team meeting; curating the content of the Blog to reflect the journal’s identity, priorities and interests; working with social media platforms to provide a coherent online presence for Medical Humanities. The role is flexible and can be adapted according to the successful applicant’s interests and availability. On average, the role takes approximately 4-6 hours per week. If you are interested in the role, you are welcome to contact the Editor-in-Chief, Prof. Deborah Bowman, for an informal and confidential discussion. Her email address is firstname.lastname@example.org.